Category: Core

  • I’m thinking about this you go to do…

    I’m thinking about this – you go to do something great, but you film the setup and how it was done. why not let the art or result stand by itself. I’m glad I never did a how-to on the John Stockton composite. It stands alone.

  • It’s funny how today mediocrity won No it’s…

    It’s funny how today mediocrity won. No, it’s actually not funny. The assignment wasn’t one that was going to lead to some amazing award-winning frame. (And I’m not going to post a photo or talk about what it was— what you imagine may be better or worse.) But I stood out there for an hour (as long as my parking space allowed) and I shot the scene unfold about a dozen times.

    First take, frame too busy.
    Dodge traffic, watch for the walk sign, move back to the middle of the street.
    Second take, I was a moment late.
    Dodge traffic, watch for the walk sign, move back to the middle of the street.
    Third take, I wasn’t at the right angle.
    Repeat several times.
    Let the young, crying lady use my phone. “I just got to town and I got into an argument with my friend. I don’t know anyone here.”

    Oh yeah, I forgot to mention that it was so damn cold. My hands were going numb, even in the sunshine.

    The lady called her friend in Centerville 8x and never got an answer. She stood there crying.
    Two trains pulled up and I had another chance to get the shot. I’m distracted thinking about the directions to the shelter and miss the shot for a variety of reasons. I look around and she’s across the street now, reunited with her friend, who is hugging her so tight he’s lifting her off the ground.

    Enough about her.

    I got back to the office frozen and without a great shot. I had a usable shot, but not a great shot.

    And now I’m somewhat warm watching Bones Brigade, An Autobiography, and I’m watching these great skateboarders who influenced me so much in my youth. They are trying and falling, trying and falling, pushing themselves to greater things, over and over.

    And I gave up after an hour in the cold.

    To reach the greater heights that I’m seeking, I need to convert the frustration of the shot not coming together into a further determination and keep shooting, keeping working the scene. One hour parking spot or no. I need to push harder.

  • The other big project that I’m in the…

    The other big project that I’m in the middle of is backing my entire photo archive up to the cloud. We’re talking bout 600 gigabytes of selects at full resolution, ENCRYPTED, to Amazon’s new Glacier cloud service. It’s going to cost $6 a month to host it.

    Can’t be beat.

    Only problem is uploading 600 gigabytes. It’s taking a while.

    I’m using ARQ, which is a great backup program that handles the encryption, the upload/download, etc. Highly recommended.

  • part of my 2013 goals is to go…

    part of my 2013 goals is to go big. do things that take a little extra work, slow down and focus on making better work, no more snapshots, etc. I want to do things that are great.

    one thing I’ve done is my geotagging project.

    I’ve been wanting to geotag my archive for a while now. With the release of Lightroom 4, I started to geotag all of my photos going forward, so 2012 was done, but that left over 120,000 photographs untagged.

    Damn.

    Nothing worse than having to go back into your archive and add details that would have only taken a few minutes a day if you’d been doing them all along.

    I came up with a plan to make the job manageable. I’d simply geotag by day. So on November 1st, I’d go through and geotag every shot I’d taken on November 1st from 1986 until 2011. Sounded like a great plan, and I’d be done in a year or so.

    But then I went completely mental and geotagged over 130,000 photos in one month.

    I’m still trying to recover.

    But now I’ve got an incredible data set that I can put to use in a hundred different ways.

  • January 7, 2011

    Assignment: CLASSIFIED, then canceled

    .:.

    Jury Duty: canceled

    .:.

    Got five discs from Netflix today. Three of them.

    .:.

    Went to see Black Swan with friends G&H, or H&G. It’s weird, G&H sounds better with the initials but if you are saying their names it’s better as H&G. Two rows ahead of me was one of Warren Jeffs’ attorneys, who didn’t spot me. Anyway, Black Swan. Wow. Crazy.

    .:.

    I started work on a composite photo that has 1,314 pieces. After I came home from the Olympics last year I was mental and had two weeks off so I spent hours watching Lost and cutting out shapes from thousands of photographs. It should be amazing when finished, but right now I have no idea how to piece it together. It’s like I have a 1,314 piece puzzle and there’s no correct way to assemble the pieces. I could go a hundred different directions.

    I started with a master canvas, dragged in some gridlines, and started putting in pieces as layers. After an hour I had hardly made any progress. 1,314 pieces are really 1,314 pieces, I guess. It’s a lot of pieces, way more than I’ve ever worked with. This is going to take a while. No wonder I put off the assembly of this image for ten months.

    .:.

    Time to crawl into bed. I’m considering two courses of action: watching Jersey Shore or reading a book on the Dalai Lama.

    I’ll write more on all of the things I’ve mentioned today as they mature. Though Jersey Shore Season 2 is the one thing not likely to mature.

  • January 6, 2011

    A fascinating story in Vanity Fair on Julian Assange and Wikileaks and the Guardian and ethics in journalism. Here’s the gist:

    Assange’s position was rife with ironies. An unwavering advocate of full, unfettered disclosure of primary-source material, Assange was now seeking to keep highly sensitive information from reaching a broader audience. He had become the victim of his own methods: someone at WikiLeaks, where there was no shortage of disgruntled volunteers, had leaked the last big segment of the documents, and they ended up at The Guardian in such a way that the paper was released from its previous agreement with Assange—that The Guardian would publish its stories only when Assange gave his permission. Enraged that he had lost control, Assange unleashed his threat, arguing that he owned the information and had a financial interest in how and when it was released.

    .:.

    Assignment: groundbreaking for new NSA facility.

    Assignment: guy in a bike shop.

    .:.

    No run ins with any GAMs today. All good. I started to read a book. It’s not out yet. It’s good. I’ll tell you more about it later. I guess that’s all I’ve got to say.

  • January 5, 2011

    I’ve spent most of the day editing photos. Flood, football, rodeo, more football. Lots of catching up to do so I can put everything from 2010 together for contests.

    .:.

    Today’s media: No time really. A little bit of Crackdown 2. And I almost started The Ricky Gervais Show. Karl Pilkington: amazing.

    And you know what? I’m not linking to the stuff I talk about on here anymore. If you see something interesting (and it all is), you can Google it yourself.

    .:.

    I’ve got this site for photojournalists in Utah. It’s a place photographers can post photographs and share ideas.

    When I designed the site I wanted a way for people to rate each other’s posts and photographs, but in a positive way. I made it so viewers could leave coins on posts they liked. They way I saw it there was no way to leave a negative vote, since no matter how many coins you left it would only drove a post’s score higher.

    But it didn’t take long for readers to figure out a way to mark a post as awful:

    The 1 coin vote.

    Since my system displays the average number of coins, a 1 coin vote often shows up on a post like an egg splattered across your windshield. I’m toying with the idea of removing the average coin display.

    Lately I had some issues with an acquaintance of mine. And now I’ve found out that he’s been leaving 1 coin votes on my posts as a way of vexing me. I know, right? It seems so immature that I didn’t believe it either. And this person is a grown, adult man (GAM).

    I found out what was going on after posting an innocuous item asking people to list their Twitter feeds. After an hour or so I was surprised to see that the post had received three 1 coin votes, an unheard-of number. Who hates Twitter? I wondered. So I looked.

    The coin system keeps a log of all votes. I rarely look at it, but a quick scan showed that this GAM had left the 1 coin votes. And from the time stamp I saw that he did this right after we had a disagreement. I looked further and saw he had gone through several of my posts in a matter of minutes handing out 1 coin votes to all of them, including one he had previously given a 14 coin vote. This GAM was clearly acting like a dick.

    1 coin votes?

    It’s absolutely ridiculous.

    .:.

    Time to cast a spell on all GAMs…

    Let your coins flow freely. Life is too short to be bitter. Leave me alone as I leave you alone. The End.

    Goodnight GAMs.

  • January 4, 2011

    Assignment – shooting.

    According to the cops, they’re chasing a guy who drives into a ditch, runs, and pulls a gun. They shoot and kill him. It’s the first time I’ve taken a photograph in Hooper, Utah.

    Assignment – barn fire.

    .:.

    Finished the film A Single Man. Great.

    Started watching Jersey Shore Season 2.

    Yes. Jersey Shore. Let’s see if I can keep this post from going off the rails.

    Laura lasted less than ten seconds before she stopped watching. I kept going. I need to find out if Ronnie and Sammi’s on and off-again relationship will ever last longer than twenty minutes drinks.

    You know what’s great about shows like Jersey Shore? I think I figured it out…

    When I was young it was easy to laugh at people. I didn’t know any better. Now I’m older and life has humbled me. I try to laugh with people, not at them.

    But when watching Jersey Shore I can laugh at people and there is absolutely no guilt; the losers I’m laughing at are very well paid.

    Sign of the times: Object of Ridicule is now a paid position.

  • January 3, 2011

    Morning came way too early today. I was exhausted getting everyone off to school. Maybe exhaustion is the perfect mental state for editing photos, because you don’t have any patience for the mediocre images that crowd your archive. When you’re exhausted you just want one thing: Sleep. Can’t.

    Soon everyone has left except me and the dog, who vomits on the rug.

    .:.

    I’m watching a special on photojournalist Reza. I see he’s shooting with a Leica 21mm lens and I remember that I sold mine in 2004 and spent the money on a Canon DSLR. I feel like vomiting on the rug.

    Please Kill Me.

    .:.

    I put the rug outside on a picnic table and rub snow on it, leaving it in the sun to melt. When I check later the rug has frozen to the table and I am unable to move it.

    .:.

    Watched Salt. Three stars.

    .:.

    Sorting through files on my computer, I find this quote:

    The reason everyone is so bitchy in academia is because the stakes are so low.

    Please substitute journalism for academia.

    .:.

    I had a dream. I was photographing in a deserted industrial town. Think Detroit, or Magna. Everyone had vanished and I was in an abandoned prison photographing three murderous inmates. No guards anywhere. One of the killers realized the door was unlocked and walked out to freedom and mayhem. I was thinking, Do I keep shooting or run for safety? But they left me unharmed when I suggested that they hold a pagan mass and invite the Christian townspeople, who they hated.

    I walked through the woods and found a suitable location for the mass, a spot where we could build a large bonfire. I walked to my tent and saw it had been soaked by rain.

    .:.

    The day ends like it began. Sleep. Can’t.

    I don’t feel like editing photos.

    And the rug is still outside, frozen to the backyard.

  • January 2, 2011

    We were trying to think of a way to deface the church program. I said, “We could draw that famous photo of Bigfoot in the background.”

    “What famous photo of Bigfoot?” my son asked.

    “You know, the one that turned out to be a fake,” I said.

    “Of course it’s a fake,” he said.

    It hit me like a slap in the face… Science has gotten to my kids. They don’t believe in Bigfoot.

  • January 1, 2011

    I’m just sitting here looking at the dashboard of a website that is supposed to be finished in a matter of hours. It’s basically done but I’m not sure. It’s going to be used by journalists all over the state and some will be computer illiterate. That’s the challenge. And like many projects I seem to take on, I’m not completely sure how it will end up. But I always make sure that it does “end up.”

    .:.

    I’ve also compiled a list of the places I post, as I continue to figure out what to do with all of that. Am I really posting on nine blogs, and managing another dozen? That’s something I’ve got to change immediately. I’m diluting the audience.

    I was really excited last year to set up this now mostly dead site, which was intended to pop culture posts. I invited three friends from high school to write with me. Back in the mid-80s we put out a zine together. Now we all live in different places and don’t keep in touch so the site would have been the perfect place for us to share music, films, books, etc., that we are into. It never took off. Only two of us posted on a regular basis. I stopped after a while, and now only the occasional post comes up from Jef. Every time he posts now it’s like the last bubbles of air coming to the surface of the lake. I can just sense the man drowning below. It’s too bad. We are all creative, funny, and unique. It should have been fun. Thanks Jef, for trying.

  • Thoughts on Newspaper Videos

    It seems that one of the people at the forefront of newspaper video, Multimediashooter.com’s Richard Koci Hernandez, has had a crisis of faith regarding the traction videos have with viewers. I applaud him for his honesty. It’s a rough neighborhood to speak out in. Staffers who question video or multimedia are often labeled luddites and moved to the back of the bus.

    His column triggered me to comment with some of the many thoughts I’ve had recently about this video push, which comes at a time when the people who run newspapers are only seeing the gloom and doom and are scrambling for any answer they can come up with. Some newspapers have invested hundreds of thousands of dollars in video equipment only to produce videos that are small and badly compressed, and seen by only a few hundred viewers. Compare that to their 300,000+ print circulations and you see the problem.

    Since it is a touchy subject let me just point out that until recently I was at the forefront of the Tribune’s multimedia efforts, planning our approach, ordering equipment, and training my colleagues. Whatever my current role, I’m all for great storytelling regardless of the medium and I remain committed to doing high quality work however I’m assigned: still, audio, or video.

    Here’s the comment I left:

    Is this a radioactive topic, or what? It seems like you can’t stand up and point out the obvious about video as it stands today (few viewers, no good monetization, and labor intensive) without a bunch of “forward-thinkers” shouting you down.

    I’m not anti-video. Just open-minded.

    Photojournalism is all about talent and storytelling. To attract an audience and a following your work needs to be something that “regular people” can’t do. That’s why still photos from a talented photographer are so powerful: Because there is no way the parents of the kid in the elementary school talent show could nail the award-winning photo a professional can. They don’t have the timing, skills, or experience, and that’s how our work becomes part of their lives, their scrapbooks, their histories. I don’t think those same skills are as apparent to the general public in video. They can spot a great photograph instantly, but video requires an investment of time that they’ve learned doesn’t always pay off.

    There will always be something to be said about the power of high quality still photojournalism. It’s something we give the community that they can’t get anywhere else.

    There are so many unknowns these days as the territory once owned by newspapers is invaded by the general public. But I’ll go down wondering if it was a good idea to abandon the power of the still image at a time when the public’s fascination with the still image was at an all-time high. Millions of digital still cameras being sold, billions of photos uploaded to sites like Flickr, etc. Couldn’t the best photographers in the world (us) be at the forefront of that movement, celebrating the power and joy of photography, rather than posting 320 pixel videos?

    Answer me two years from now, from wherever you are. Maybe I’ll be shooting video, or maybe the fickle powers-that-be in newspapers will have realized that there are things newspapers have always done very well, and that those things (great reporting, powerful photography) can continue to bring them a profitable audience. We’ll see.

  • Sexiest Man Alive

    12.12.2007 9050.JPG

    A lot of the job is spent waiting. After going through this stack of magazines in a medical clinic while waiting for a subject to show up, I started talking to the receptionist about magazine theft (who knows how we got there). She said magazines like Good Housekeeping and Sunset are always being stolen, rather than men’s magazines.

    She said women were thieves.

    My only question is this: Who is the Sexiest Man Dead?

  • Private in Public

    Creative input is everywhere. Today I heard the actor Wendell Pierce talk about his work on the television show The Wire, and acting in general. Listen to this:
    “We should never be afraid to be private in public because that’s what art is all about, especially acting.”
    His point is that great art is created through behaving in public the way you would in private. Think about that. To me it’s about honesty and being true to your identity, and not being afraid of who you really are. That will lead to creating art that reflects your identity.
    When I think of my favorite artists, photographers, artists, musicians, etc., they are all true to their craft.
    Am I? Are you?
    I can tell you that yesterday I took photos that fell short of what I am capable of. But I can also tell you that today is a new day.
    Are you afraid to act private in public? It’s a good question for us all.

  • American Photo

    11.27.2003

    Profiles of People Who Gave Me a Job
    Part Six – American Photo

    My first semester of college, fall of 1986, was a disaster. Then my grades got even worse in my second (and last) semester. I had discovered photography. All of my time was spent reading about it or driving around southern Idaho doing it. Returning home to California after school let out I decided to find a job in photography.
    I applied for and got a job at a one-hour photo lab in the local mall. It was one of a chain of photo labs owned by a Korean businessman. It was called American Photo and the place reeked of toxic photo bleach, which, along with the other chemicals, was dumped straight down the drain.
    First day on the job I was taught to cut and sleeve negatives and put customers’ prints into envelopes. You had to look at each print before stuffing them to make sure they looked good. One of the first sets of photos I saw were from a party for a woman leaving her job. Here she is unwrapping presents; A watch, a handbag, and what’s this gift she’s holding with her eyes bugging out? Oh, it’s a dildo.
    Photos like that came through all the time. And it was common practice to print out an extra print of anything funny, unusual, or nude. This happens at every lab. I used to have a great collection of images: dirtbags smoking pot, a topless overweight woman raking and burning leaves, a drunk woman at an office party dancing on a pool table to the delight of men in suits.
    At American Photo they kept copies of these photos in a photo album. A thick photo album with a floral patterned cover stored safely in the back room held a collection of images probably years in the making. Bachelor parties, bachlorette parties, parties, drunks, strippers, amatuer nudes and more parties. One of the guys I worked with told me about it.
    Of course, you can’t keep things like this secret. And somehow one of the mall security guards heard of the photo album. He would come by several times a day begging our manager into letting him peruse the photographs. He didn’t want to bust the place and confiscate the album, he just wanted to drool over the skin pix.
    Finally, after a few weeks of this guy whining, they agreed to let him look at the book. Anything to get him off their backs. They take him into the back room, and he starts gleefully going through the book. He’s getting off on seeing all of the drunk and/or naked women pictured in their amateur snapshot lack of glory. He turns the next page and anger clouds his face. He turns to the manager, shaking his finger towards one of the photos.
    “That’s my girlfriend!” he shouts in a rage.
    The book was quickly disposed of. I should mention this happened before I started working there, so it’s a story I got from one of the old-timers.
    When I was hired, there were about eight employees, including this weird manager who kept telling me how many cameras he owned (9) and how much money he made selling his photos of Napa vineyards through stock (a lot). I bought it, though now I’d bet it was all b.s. There was also an assistant manager and a bunch of other experienced printers. Within a month, all of these people were gone.
    It was like the Khmer Rouge took over. Before we knew it there were just two employees left, neither of us with any real experience. Me and an thirtysomething guy named Julius. With everyone else gone we were forced into working everyday. The store was open from 10am to 9pm every day of the week, so we were going non-stop. About this time I met the district manager, this witch who basically ignored our complaints that there was no store manager and that we were working all day, every day. I remember they brought in a part-timer but it didn’t cut down much on the workload.
    We were getting behind all the time. People always expected their photos to be done within an hour but it was impossible with just the two of us. We started giving out discounts to keep people happy. We’d give somebody 10 or 15% off their order, even if they were cool about things being late. One night alone we gave out over $150 in discounts. This really pissed off the district manager. But they still didn’t do anything to help us out. With all this going on the store absolutely had to be open on time and we couldn’t close early. If the store was ever closed the mall administration would fine the store around $150 an hour.
    I remember driving home late at night, getting up, going back to the mall to work the next morning. I remember listening to loud and fast punk rock in the car and driving fast with the madness of it all. The job was killing me.
    One day at the end of my wits I was scheduled to work a full shift alone. I was not looking forward to this garbage continuing. A shift alone was like hell. The district manager and owner were doing nothing to fix our problems.
    So I just didn’t go in. It was great. Julius and I went into San Francisco together so there was no one for them to call to fill in. And I was the only one with a key so there was no way they could even get the shop open. The store racked up over $1,200 in fines from the mall before the district manager got someone to drill the lock off the door.

  • Part Five – The Country Scoop

    11.24.2003

    Profiles of People Who Gave Me a Job
    Part Five – The Country Scoop

    Through my friend Ted, I got a job at an ice cream shop around the corner from my house. It was a very strange situation. While the owner of the place didn’t work there, he lived right down the street in eyesight of the shop so you were always looking over your shoulder to see if he was coming in for one of his surprise visits. His name was Ed.
    On my second day there I was working with two girls. In the middle of this busy Saturday they decided to take a break together, leaving me alone at the helm. I think the most instruction I had gotten up to that point was a ten minute primer you could have titled, “How to make a single scoop ice cream cone.” So when they left me all alone and the next customer ordered a hot fudge sundae, I knew I was screwed.
    I can still see the sundae I made for this guy. The whipped cream looked like a dog turd sitting on top of the ice cream. It was ugly. And I guess it’s burned into my memory because right then the owner, Ed, walked in making one of his surprise visits. He comes in just in time to see my mediocre scoop-work and hear me tell the customer, “It looks ugly, but it will sure taste good!”
    Ed pulled me aside and said, “Boy, you need to learn two things: how to make a hot fudge sundae and how to ask for help.”
    When I started at the Country Scoop they had me doing the ice cream stuff. That was the easy job. But after I while I was “promoted” to the grill side of things- cooking fries and hamburgers. This was a good thing because you can only eat so much ice cream during your shift in the back room. If you know how to cook burgers and fries, too, you’re able to sneak a much more balanced meal into the back room. Instead of a huge oreo shake for dinner it was now huge oreo shake, fries, and burger for dinner.
    Since Ed lived down the street, you had to be very careful about sneaking food. The bathroom was a good place to hide out, and if you were working with someone cool, you would take turns covering for each other.
    I always thought it would be fun to work with Ted, but it didn’t pan out very well. We had too much fun. Ted would be in the back inhaling the propellent out of the whipping cream cans, or turning off the radio with a solid kick from his foot. One night we changed the radio station from its usual quiet soft rock to a cranked and frantic mexican station. Of course, this was the moment of Ed’s second surprise visit to one of my shifts. I’ll never forget it. He walked in, calmly went to the radio, turned it off, and walked right out without saying a word.
    We were never allowed to work together again.
    Ted had been hired by the previous manager, who knew him from church. To hear Ted tell it, she was always going on about her yeast infections. I was never around for any of that. I was hired by a pair of co-managers, Kevin and Sarah.
    We were supposed to close the store at 9pm. No exceptions. Then you’d put up the chairs and start mopping. So one night, at 9:05, this guy starts knocking on the door and is begging me to let him and his kids in. They had just attended their school concert and he wanted to buy them ice cream. At first I told him no, but he wouldn’t let up. So I figured I’d get him his cones and get him out of there quick. I was all alone, so I figured if Ed didn’t look out his window no one would ever know.
    The guy comes in and starts ordering banana splits- stuff that takes a lot of time to make, and now I’ll have dishes to wash, etc. Big mistake letting him in. He even starts pulling chairs down off the tables so they can eat in the shop. All in full view of Ed’s house!
    Just then co-manager Kevin walks in to check on me. What a nice surprise I have for him- some jerk with his kids waiting for their sundaes. I remember Kevin being upset, but he actually rolled up his sleeves and helped me make the sundaes and hurried the guy along while I finished closing the store.
    I kind of liked Kevin after that. That’s why, when I decided to get a mohawk, symbolically giving the finger to society, I did it right before I was working a shift with the other manager, Sarah. We never really hit it off, and I knew my new six-inch mohawk was going to be a big deal in the sleepy suburban ice cream shop.
    Joey and Aaron cut the mohawk right before my shift. It looked awesome. I was so excited to stick it to Sarah. She was going to be so pissed off at my surprise.
    I go down to the shop, walk in with a big smile on my face, and there’s Kevin. He had switched shifts with Sarah. His jaw drops and he says nothing. He just stared at me for a long, unbearable moment.
    The rest of the night was very uncomfortable. All the customers who came in were seriously freaked out at my haircut. You could really feel the vibe. After an hour or so, word had gotten back to my parents. We all laugh about it now, but they loaded my sisters into the car and drove over to see my hair. They pulled up and sat in the car watching me through the window, heartbroken and bawling that they’d lost their son.
    First thing the next morning my dad got me out of bed and took me to a salon and had them cut off the mohawk. The nice lady convinced him to leave a little stripe of hair, maybe a quarter of an inch high. “You don’t want him bald,” she told him. It looked ridiculous.
    After the forced haircut I went in to work. Kevin gave me the news. He, Sarah, and Ed had talked it over. I was fired.

  • 1998: Africa – Ghana Airport

    February 14th, or is it the 15th now? I’m too tired. 1998

    I walked off the plane into sensory overload. Piercing hot darkness. This was definitely Africa. It was very humid and a pungent tropical smell (a mix of sweat and coastal breeze, unlike anything I’d ever smelled) filled the night air. The dark of night was nearly complete. Just a few post-midnight lights marked the city of Accra.

    Inside, the terminal was dimly lit with fluorescent lights that were only 20% as bright as you’d see in the West. It made everything seem darker, older, and dirtier than it really was. From a group of plainclothes guys with ID badges, a man approached and asked for my immunization records. He took mine and Peggy’s to a counter where another guy stamped them.

    He took our passports and led us ahead to a series of lines labelled “Ghana Nationals,” “West African Nationals,” and “Other Nationals”. The “Other” line was very long. The guy with our passports led us into the “West African” line and then started talking money. He said he would get us through quickly and we would give him ten dollars. We grabbed our passports back and got in the long line, while he went off in search of a new mark. After a long wait we got through.

    I went to exchange currency. We would need walking-around money. I exchanged $100 and got a very thick stack of Ghanaian Cedis. Their largest bill is only worth $2.50, and I didn’t get any of those. My $100 was exchanged into 100 red 2,000 Cedi bills. The wad of cash was so thick it bulged out of my pocket.

    While Peggy waited inside I went out to see if our local contact was there. In front of the airport there was a huge crowd of people gathered, and seeing me, they began hollering. “Are you okay?” “Need a taxi?” Others tried to get my attention by hissing sharply like snakes, “SSSSSSSS!!!”

    I walked out trying to project confidence, as if I knew what I was doing and where I was going. In reality I was thoroughly confused and overwhelmed. In my mind it played out like those scenes in movies where the Marlboro Man westerner walks through the chaotic exotic marketplace, all calm and serene. The reality was not even close.

    I didn’t see any sign of our ride, anda guy named Frankie started following me around. He led me to a guy selling phone cards out of his wallet. Frankie acted like he was helping me out and asked for money. I told him I would get him later. Since the shops were closed I bought a phone card for an outrageous sum.

    Back inside, Peggy went to call our ride with the phone card. I laughed when I saw a man behind her, reaching in to push buttons. Another helper! Peggy managed to wake up one of our local contacts, but the call was useless. She could hear him but he couldn’t hear her. We were on our own for transportation to the hotel.

    The Ghana Airways flight with my hard-case was due soon. Miraculously, the case arrived intact with the film scanner and photo equipment safe and sound.

    We waded back into the sea of “helpers” outside the airport and Frankie was on us immediately, along with a bunch of other guys. We figured we might as well have Frankie take us to the hotel.

    He led us to a van in a very dark parking lot. There were a couple cars labelled TAXI, including one with a shirtless man sleeping on the hood. Frankie threw in our luggage and another guy got in to drive.

    They kept insisting that our hotel, the Golden Tulip, was too expensive and offered to take us somewhere “more affordable.”

    “Take us to the Golden Tulip, now!” Peggy ordered.

    The Golden Tulip turned out to be only about a half-mile from the airport. And for that short drive they wanted $20. I was so exhausted I just handed them the money without argument (20 red Cedi bills).

    As we started to get out of the van they said, “You can leave your baggage in the van while you check in.”

    I smiled. At least they were being polite about conning us out of our belongings (possibly). We took the bags, checked in, and slept. In only a couple of hours, the phone would ring and it would all start.

    Links to the rest of this series:

    Africa

  • 12.6.1986 – 12.8.1986

    Note: My short-lived attendance at Ricks College in the small town of Rexburg, Idaho twenty years ago was a defining stage of my life. Mostly for unpleasant reasons. Taking an extremely impulsive anarchist skate punk from California and putting them in the Rexburg of 1986, what can you expect? My being an 18-year-old with the maturity of a 9-year-old didn’t help, either. But it was in Rexburg that I fell in love with photography and abandoned my academic career to follow my passion.

    These entries are written from the journals I kept when I was 18. -Trent

    Saturday, December 6, 1986

    We rented a VCR and three movies: “Hitcher”, “Party Animal” and a tape of Captain America cartoons. Pam had faked her way into an overnight pass, so she was out for the night.

    At about 3am, Pam and I went in on Joe’s bed. We made out and around 4am we went downstairs to my room at #20 and went to sleep in my bed. It was the first time I had ever shared a bed with a girl and I don’t think I ever fell asleep. Pam was out, and the whole night I was so worried about disturbing her peace that I just laid awake trying not to move.

    Sunday, December 7, 1986

    After sleeping in my room, Pam and I woke up at 4pm in the afternoon. But we couldn’t leave the room right away; Jud Miller from the Bishopric was in the front room, and we would have been in trouble if he found out that she was in my room.

    I took Pam home and she made me a late breakfast. She also talked me into going to the Christmas Conference message. Pam is, I would say, very religious.

    Monday, December 8, 1986

    Bought three boxes of magic colors candy cigarettes (Hey man, cool!).

    Band practice.

    Went to my aunt’s house for dinner. Took Dave and SNFU-Shoe. Ate. Played guitar a little. Left. Went to dorms where we were supposed to be a lot earlier. Gave Tina and Pam Hershey’s Giant Kisses. They were appeased.

    Called home.

    Lit a smoke bomb in our room.