So what does today’s counter-hegemonic culture look like? It’s not particularly interested in being seen—at least not in person. It gets no thrill out of wearing leather and a mohawk and walking past main-street shops, which are empty now anyway. But it does demonstrate a hunger for freedom—freedom from the attention economy, from atomization, and the extractive logic of mainstream communication. We can imagine collectively held physical spaces reclaimed from empty retail or abandoned venues hosting esoteric local scenes, a proliferation of digital gangs in dark forests who hold secrets dear, and a new desire for scarcity in cultural objects—deeper and closer connections made between people even while rejecting the platform’s compulsion to “like and share.” In the internet era, true counterculture is difficult to see, and even harder to find—but that doesn’t mean it’s not there.