New York Times reporter Eric Lipton says the response to a recent FOIA request shows that Scott Pruitt and his staff have gone to great lengths to keep the public and the news media at a distance.
THIS IS WHY WE DO THIS THING! This week on the show, we are joined by the legendary JESSE MICHAELS of Operation Ivy & Common Rider fame! Sit back & listen as Damian gets to talk to one of the most influential punk vocalist ever! From the Bay to th
In this politically charged climate, it feels like you have to be super careful with your language, no matter who you are or what side you’re on. Stories about people who say the “wrong” thing and suffer the consequences, including a very conservative Republican from Louisiana who’s lambasted for being too liberal.
In this politically charged climate, it feels like you have to be super careful with your language, no matter who you are or what side you’re on. Stories about people who say the “wrong” thing and suffer the consequences, including a very conservative Republican from Louisiana who’s lambasted for being too liberal.
He’s plunged back into the land of the non-living, where he is told by a familiar face that he must sing karaoke to get back home, which he hesitantly does.
Promises to upend international engagement, U-S trade and immigration policy were central to Donald Trump’s campaign. What Trump’s win may mean for America’s role in the world.
Some say the deep divisions among voters in the 2016 campaign were exacerbated by fake news and personalized social media feeds: The demise of civic information and new efforts to build a better environment for news.
I don’t think that in my lifetime there will be a Woman in the White House. We learned that women can still be abused, physically and mentally. There will still be men and women who work to take decisions about control of our bodies, , we will not make as much money as our male counterparts, decisions about the people we love must have religious boundaries.
In episode 10, we’re joined by Derek Davison (@dwdavison9318)who voxsplains to us what the Iran nuclear deal is and breaks down a juicy New York Times Magazine profile of White House literary savage B
I don’t think that in my lifetime there will be a Woman in the White House. We learned that women can still be abused, physically and mentally. There will still be men and women who work to take decisions about control of our bodies, , we will not make as much money as our male counterparts, decisions about the people we love must have religious boundaries.
In episode 10, we’re joined by Derek Davison (@dwdavison9318)who voxsplains to us what the Iran nuclear deal is and breaks down a juicy New York Times Magazine profile of White House literary savage B
I don’t think that in my lifetime there will be a Woman in the White House. We learned that women can still be abused, physically and mentally. There will still be men and women who work to take decisions about control of our bodies, , we will not make as much money as our male counterparts, decisions about the people we love must have religious boundaries.
Writer Ta-Nehisi Coates won last year’s National Book Award for “Between the World and Me,” an exploration of being black in America. In the latest Atlantic Magazine cover story, he looks at the legacy of our first African-American president and the role
Sam stood out from the start. “Born on third base,” as he says, not because his family had money but because he considers intellect, not class, to be the new driver in society.
To say an episode sums up the entire ethos of this show would be a bold claim, but this would be that episode. Get set as Damian sits down with Michael Alago; founder of the original Dead Boys' Fan Club, booker at the Ritz, and A & R guy (who sign
These are the companies that have presented themselves as hip, huge, harmless . . . In fact, they are ruthless and as hungry for profit . . . They’re shark-like. Just eat up everything, take all of the world’s creations. Digitize them and offer them back to humanity either for free or for an incredibly low price. And don’t pay, or massively underpay the creators, and just kick back and put your feet up, and know that if Greg from Deerhoof doesn’t like it, well that’s fine, because there are a million other people lined up behind Greg who are perfectly happy to volunteer their music to exactly such a scheme in hopes of doing something besides being a barista their whole life.
If you’re a photojournalist, you need to know Melissa Lyttle. And even if you have a different niche, you should know her anyway. Lyttle is an independent visual journalist in Los Angeles, having previously worked as a staff photographer for a number of n
Join bestselling author Jon Ronson as he traces a very strange butterfly effect. A teen in Brussels had an idea – to make porn free and easy to stream online. The consequences of that idea are mysterious, delightful, surprising, and sad. This 7-part series takes you on a journey to places you’ll never expect.
Assange’s position was rife with ironies. An unwavering advocate of full, unfettered disclosure of primary-source material, Assange was now seeking to keep highly sensitive information from reaching a broader audience. He had become the victim of his own methods: someone at WikiLeaks, where there was no shortage of disgruntled volunteers, had leaked the last big segment of the documents, and they ended up at The Guardian in such a way that the paper was released from its previous agreement with Assange—that The Guardian would publish its stories only when Assange gave his permission. Enraged that he had lost control, Assange unleashed his threat, arguing that he owned the information and had a financial interest in how and when it was released.
Assange’s position was rife with ironies. An unwavering advocate of full, unfettered disclosure of primary-source material, Assange was now seeking to keep highly sensitive information from reaching a broader audience. He had become the victim of his own methods: someone at WikiLeaks, where there was no shortage of disgruntled volunteers, had leaked the last big segment of the documents, and they ended up at The Guardian in such a way that the paper was released from its previous agreement with Assange—that The Guardian would publish its stories only when Assange gave his permission. Enraged that he had lost control, Assange unleashed his threat, arguing that he owned the information and had a financial interest in how and when it was released.
Street photographer Matt Stuart discusses his coverage of the 2017 Las Vegas mass shooting, the wake-up call that was a plastic bullet whizzing past his head at a Hong Kong protest, how to balance creative work with work that puts food on the table, and much more.
Washington Post photo editor and college friend Kenneth Dickerman trace their journeys since studying photojournalism at Mizzou together and talk photo books, baptisms, short circuiting creativity via pretension, Scandinavian photography and the traits of a good photo editor