Dara of Jasenovac and Quo Vadis, Aida? take different tacts on filmic representation of war crimes.
In sharp contrast to Antonijević, the director of Quo Vadis, Aida?, Jasmila Žbanić, has come out forcefully against this tendency to speak of “our” genocide against “yours.” Speaking for the necessity to remember all genocides equally, she denounced pitting a Serbian and Bosnian film against each other. In a recent interview, Žbanić said, “As for Jasenovac, genocide was committed there, and that is the greatest tragedy of our peoples. In terms of horror, Jasenovac cannot be compared to anything, and not one, but 50 films should be made about it.” She then connected the two tragedies thus: “The fact that Srebrenica happened after Jasenovac shows how much violence and crime are something that has not been overcome in this area.”