The paintings begin life in Photoshop. Wiley sends initial shots of models to a graphic designer, along with decorative motifs and detailed instructions for creating a backdrop. After the mockup earns his approval, assistants trace it onto the canvas, then begin their painstaking work on the fashion, the flora, and the filigree. Individuals focus on particular works, but also serve as floating detail specialists. The bird painter was brought on for her knowledge of Japanese landscape painting; the clothing expert, who has worked at the studio for seventeen years, doubles as a quality-control inspector, insuring that every Wiley looks like a Wiley. The process has become intuitive, she told me: “I’m his hand, almost like a human printer.”