Blog Archives

BYU vs. Utah State Football – Unga

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Just a quick post from BYU vs. Utah State football before I sleep. The first quarter was great for pictures, then the final three quarters not so much. Here’s one of Harvey Unga stretching his way into the end zone for a touchdown.

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BYU vs. Wyoming Football- Action!

Over a week later, my edit…


Brandon Bradley brings down Devin Moore


David Nixon, Shawn Doman, Russell Tialavea bring down Devin Moore


Fans watching Max Hall in action


Andrew Rich and Shiloah Te’o lift Josh Biezuns and slam him to the turf


Brandon Howard watches Greg Bolling pull down a reception


Wyoming players shove BYU’s Fui Vakupuna


Neill Chambers leaps over Tashaun Gipson


After a hard hit, a Wyoming player vomits

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BYU – Startled Salad Man

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Sorting through 1300+ photos from the BYU vs. Wyoming football game last weekend, I noticed a few things. Like when David Nixon returned an interception for a touchdown. It was a tough shot from where I was, but Trib photographer Rick Egan had the good angle so all was good. The sequence is filled with colorful characters standing on the sideline in the background.

My favorite is obviously Startled Salad Man. Let’s enjoy the closeup:

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I’ll do something serious (or not) about the game shortly. Right now I’m going to get a slice of pizza.

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Final Fight! – Layton vs. Davis

When you’re going to write about photographing a high school football game AND the 1989 arcade game Final Fight, where to start? Obviously, with Final Fight.

Here’s the plot as it appears on Wikipedia (with my favorite parts in bold):

Final Fight is set in the fictional American city of Metro City “sometime in the 1990s”. The story centers around the kidnapping of the Mayor’s daughter, Jessica, by the dominant street gang in the city known as the Mad Gear Gang, which seeks to bring the Mayor under their control. The Mayor, a former pro wrestler named Mike Haggar, refuses to give in to the gang’s demands and sets out to rescue his daughter with the help of her boyfriend, a martial artist named Cody, and his friend, a modern-day Bushin ninja named Guy.

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It’s a common videogame premise, where you select from the characters you want to play. Each has a strength and a weakness. There is the ultra-fast guy who can’t take a punch. There’s the all-around average player. And there’s the big heavy dude who is super strong but super slow. In Final Fight, the fast and skinny is Guy, Cody is the average, and Haggar is the big slow brawler.

For far too long I’ve been playing Final Fight as the former pro-wrestler Haggar and too often I’ve also been showing up to shoot football games as Haggar, loaded down with three cameras and all the weight that entails. It’s been an effective strategy with a lot of great photographs, but I felt it was time for a change. So for this game I selected Guy and went the light-weight approach, carrying just two cameras. On one I mounted the smaller and lighter 300/2.8 and the other camera had a 16-35 wide angle. I went without a monopod and made sure to down a large Coke and a couple of candy bars for even more extra speed.

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While the 300 didn’t give me the same reach as the 400 I usually would use, I stayed close to the action, mostly shooting within ten yards of the line of scrimmage.

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Above: Davis’ Troy Hinds celebrates sacking Layton QB Camren Applegate.

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My biggest technical hurdle was the dark, horrendous lighting. Just look at those weak lights! And it varied all over the field; every third frame had a horrible reddish hue. I switched to shooting RAW for the second half when it got dark just so I’d be able to correct the color shifts.

Still, it was very dark and for a while I played with the artistry of a slower shutter speed. That was a mistake when Davis made this touchdown:

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The 300 worked well throughout. While its reach wasn’t as tight as I’m used to with the 400, there’s not much you can do with either lens when the action takes off clear across the field. Shooting loose can sometimes add to the shot, like this touchdown where the marching band adds a nice detail:

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But back to Final Fight, here’s the description of Guy (again from the Final Fight page on Wikipedia):

Guy is the fastest, yet weakest member of the group, in which he can unleash fast punches against his opponents and use an off-the-wall kick to knock them down.

So true. When Kimble Jensen made the a late interception to seal the win for Layton, I was right up close and in place for the shot. Call this one my very own off-the-wall kick to knock them down:

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Full Disclosure: For almost twenty years I’ve played Final Fight as Haggar and I probably won’t change, so Alex… you’ll still have to play as Cody.

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The Wide Angle – Layton vs. Davis Football

Nothing to say…Just pictures to show.

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Utah Football Takes The Field

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Got to Utah’s home opener the other night to try out some angles. Since I wasn’t shooting game action I had a little freedom to get creative. The Utes came out of the locker room to gather in this little inflatable tent thing.

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Coach Kyle Whittingham came out. He’s a little soft in the shot, only because I don’t use the center-spot autofocus when I’m using the camera on a monopod (which lets me hold the camera as much as five feet up over my head). I switch it the mult-spot AF mode, since I never know where the center of the frame will be. Am I the only one who has noticed that there is so little depth of field with digital? This was shot at 16mm, which means everything front to back should pretty much be in focus. At least, they were in the film days. Maybe it’s just that patented Canon softness.

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Before the team took the field, I put myself in what I thought was the best position for an overhead of the “run-out.” But as you can see things weren’t quite as organized as I had hoped. Not to judge, I wasn’t as organized for the first game either. I’ll be back to get it right.

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BYU vs. Northern Iowa College Football – 16-35mm

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Since so few football photographs are made with wide angle lenses, they really stand out. You never know when the action is going to come too close for any other lens to work. And since it doesn’t happen often, most photographers keep their wide angle in the bag until the game ends.

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These shots were all made in RAW mode, which takes up more card space, but allows for higher quality in the post-processing phase. Since I use the wide angle sparingly, I’m able to shoot that camera in RAW. For the telephotos I’m stuck with JPEG just to keep things deadline-manageable.

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Vic So’oto leads the pre-game Haka. Look at cameraman Pete wade in there, fearless.

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There’s a clue to how I got the camera up so high elsewhere in this post. For those of you who can’t figure it out, I was able to talk one of the men on the cheer squad to let me stand on his shoulders. Luckily I have the balance of a dancer.

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All words in italics are lies.

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BYU quarterback Max Hall gets a hand from fans as he heads to the locker room. I’m on the cheerleader’s shoulders for this shot, too. We were running all over the field, chasing down Max Hall.

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BYU vs. Northern Iowa College Football – 70-200mm

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BYU quarterback Max Hall lines up behind center in the red zone.

Again, my goal for football this year is to have good photos from each of three lenses (super telephoto, telephoto, and wide). These three were taken with a 70-200mm lens (and probably a 1.4x teleconverter)

The 70-200 is a go-to lens when the Cougars are within the twenty yard line and I can line up with the ball. For these three photographs I’m prone on the grass as low as I can get for a dramatic, right-on-the-field look.

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BYU’s Bryan Kariya runs into the endzone for a score.

You’ll notice that in contrast to the tight shots taken with the 400 in the previous post, the 70-200mm lens includes a little more background information. In the photo below, the fans bring some emotion to the scene.

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BYU’s Harvey Unga scores one of his three touchdowns.

As for the sharpness and clarity, I know something’s off. These aren’t as crisp and vibrant as you’re used to seeing here. I’m in the midst of re-calibrating everything so hang tight.

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BYU vs. Northern Iowa College Football – The 400mm

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BYU wide receiver Michael Reed (3) runs for a touchdown.

Last post I talked about using three cameras for three different viewpoints from a football game. From last Saturday’s BYU home opener, here are my favorites taken with the 400mm/2.8 lens. This is the one that gets me in close.

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BYU quarterback Max Hall.

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BYU offensive coordinator Robert Anae watches the offense come off the field after a turnover.

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BYU running back Harvey Unga.

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Alta vs. Bingham football

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Four from Friday night’s big rivalry game, where Alta took down Bingham 27-19.

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Bingham’s Nate Girsberger runs back an interception. His touchdown was called back on a penalty, but led to a Bingham field goal and a first quarter 17-3 lead. Shot with the 400 and teleconverter (560mm).

Equipment-wise I’m using three cameras. One with a 16-35mm wide angle, one with a 70-200mm medium telephoto, and one with a 400 or 600mm super telephoto lens. Also in the mix is a 1.4 teleconverter, which is on one of the telephotos or in my pocket.

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Alta quarterback Ammon Olsen stretches for the end zone, but comes up just short. At left is Bingham’s Keith Sasine. Shot with the 70-200 (at 145mm).

Carrying all that gear for a full game gets a little tiring, but if I get a great photograph with each lens it’s worth it.

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Alta QB Ammon Olsen celebrates the win as time expires. Shot with the 16-35 (at 27mm).

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