
We ran ten photos from last night’s game in today’s paper.
None were mine.


We ran ten photos from last night’s game in today’s paper.
None were mine.











I’m obviously a few days behind on my Jazz posts. But then again, as my wife often reminds me, I don’t get paid for blogging. So we’re going on my schedule…
Rule 2- comedy is black and white.
In these media situations, which are very short, reporters just go from player to player for quick interviews. This is the crowd around Deron Williams:

So if you’re late to the mob you can go over the top:

Or you can crawl in low:

That shot captures the mood after game one’s thrashing at the hands of the Lakers. This next shot is a complete failure but it caught my eye for some reason. It reminds me of a movie still:

Not much of a crowd around Carlos Boozer:

Andrei Kirilenko’s hair:

My 11-year-old son was next to me while I was editing my photos. Not that he finds my job at all interesting (he says it’s completely boring), he did love this shot of coach Jerry Sloan:

And here’s what Sloan’s reaction might be if when he reads this post:

If you didn’t see it, scroll back up to see Sloan with Andrei’s hair. Oh man, he’s going to kill me…

Damn, what a game. Jazz win in the final seconds. Here’s my floor remote of Carlos Boozer’s dunk, a key play in the final seconds that gave the Jazz a two point lead. The color is tweaked, but so am I. I’ll tone it later. Bed time now.










Even with good ambient lighting and kick-ass cutting-edge digital cameras, the top outlets (like Sports Illustrated and the NBA) are still using strobes to photograph the NBA playoffs. They’re settling for one shot every 4-5 seconds when they could have ten frames every second. It makes me wonder. But I gotta say, after looking at the photos in my take that their strobes ruined, these shooters have exceptional timing. See you tonight.





So I think I found the image the sums up the Jazz-Lakers series. Kobe Bryant steals the ball from Carlos Boozer.