11.29.2003
Profiles of People Who Gave Me a Job
Part Seven – Photo Spectrum
When I was working at American Photo, I caught wind of a job at the photo lab around the corner from my house: Photo Spectrum. In fact, Bethany and her mom had quizzed me about working in a photo lab. They told me she had been offered a job at Photo Spectrum but wasn’t sure if she was going to take it. I’m getting off track but here is what happened next: Bethany turned down the job, I got the job, Bethany took the next job. We worked together, became fast friends, fell in love, fell apart, lost contact, both married other people, traded a few e-mails, then lost contact again.
When I started at Photo Spectrum, I was doing the same work as I had at American Photo- developing, printing, filing, ringing up customers. But this place was not just about making money. The manager, Cindy, was serious about quality. If things weren’t done perfectly the first time, we would re-do them before the customer even saw the prints. She had me out helping customers and filing prints the first week.
I was seriously hooked on photography at this point of my life. I would often wake up at 5am and drive around photographing before work. Or I would spend my lunch hour taking pictures. It’s still an obsession, but this the most extreme time for it. As I worked my way up at Photo Spectrum, I spent many late nights printing my own work in the darkroom.
One advantage to working at Photo Spectrum was the custom lab. Two people worked in the backshop making professional enlargements, developing film by hand, and doing other custom work. I knew that’s where I wanted to end up working.
The two guys working back there were Scott and Brock, two long-haired rockers. They listened to Aerosmith and Pink Floyd and took smoke breaks behind the store. The wall in the back room was plastered with glossy color prints picturing women in various forms of swimwear and soft focus lighting.
Scott ran the custom side of things, and it didn’t take long to see that Brock wasn’t taking things seriously. Quality wasn’t up, he wasn’t getting things done, whatever. You’d walk back there and see his film laying around- upskirt pictures of his girlfriend, stuff like that. I don’t remember what the final straw was, but Brad was gone and Cindy moved me into the backshop. They hired Bethany to take my spot.
Scott was a great teacher. He taught me a lot about photography. We developed black and white, color neg, and color slide film to exacting standards by hand. We did copy slides, internegatives, copy negs. We printed color and black and white. He also taught me about integrity and work ethic; Scott demanded that everything be done perfectly.
I remember working on one order- an 11×14 color print for some old lady of a green bird in a tree. It was an awful photograph. Scott wanted me to burn down the background. I first did it lightly and Scott had me do it again. Still not good enough. I swear he made me do that stupid bird print at least fifteen times before the burn was good enough. Thoroughly annoying at the time, this was an invaluable lesson. Thanks to Scott, I’ve always been very sensitive about quality. I want things to be done well, with quality film, chemicals, lenses, or whatever. This I owe to Scott, who is now a very successful and talented photographer working in New York City and Los Angeles.
For a while, Bethany and I worked Saturdays together. It was very nice- slow, quiet, lots of time to talk. We’d talk about relationships (how they weren’t working out, mainly). One day a girl I’d been avoiding came in and started chewing me out right in the store, yelling at me in front of a bunch of customers.
How can you forget the sight of someone swinging around a rubber chicken keychain and saying things like, “You think you can go out with me and then not call?!? Not with me. I’m better than that, and if that’s how you’re going to treat me, you can fuck right off!” She was totally right; I was a loser. On one date, she was desperate to see the film “Fatal Attraction” but I had insisted on “The Garbage Pail Kids Movie.”
Thankfully, Bethany was always there to listen and offer up advice, like, “If you don’t really like her, maybe you shouldn’t do the horizontal hokey-pokey.”
On Saturdays the backshop was closed down. But sometimes friends of the owner would pay him to use the darkroom in private. I remember one middle-aged rich guy who used to come in. He was chubby and bald and had the look of a pervert or a bank manager. We were given specific instructions to not go into the backshop when he was printing. And when we snuck peeks we noticed that he was always really fast in hiding his photographs in a box as soon as they came out of the machine.
One day I had to go to the bathroom and one of his prints was sitting fresh in the tray. It was a large, heavyset woman standing in a forest glade completely nude and doing some kind of wood nymph dance.
One of our regular customers was the father of some kids we knew in high school. He had left his wife and was rolling with this hot, much younger woman who would bring in his film from time to time. One day she brought in a roll that had a shot of the guy nude in the shower. I printed an extra copy on impulse and showed it to Bethany for laughs. This is where the mystery begins. Somehow the photo got out of the store and into his ex-wife’s hands. The guy was furious and made a big fuss in the store. I never figured out how the print got out.
The pursuit of quality at Photo Spectrum was very admirable. We were known in the business as a high quality lab, which was very unusual considering our suburban location. But the business was always in a shambles financially. There was no happy ending, the shop eventually closed. It was so sad, he was a great guy.
Photo Spectrum went out of business. My parents bought the Photo Spectrum sign and painted over it for the store they opened up. The Country Fair Shopping Center was torn down a couple of years ago and a bunch of small townhomes were built over it.