The photographer Matt Black has been seeking stories of the indigenous tribes of southern Mexico and the migrants to the Central Valley of California for 10 years, traveling back and forth and documenting the effects on these changing cultures and economies
In America 101, Grace draws 101 pictures from his rich personal archive of the United States to assemble a visual crash course on what defines and represents us as Americans.
The black-and-white photographs of Oscar B. Castillo, a Caracas-based photojournalist, accompany Padgett’s bleak dispatch. Documenting the violence of the barrio put Castillo at immense risk—from both gang members and the police.
When he first saw the book “Money Power Respect,” it was a source of pride. He enjoyed the recognition. Now, when Andy looks at the photographs of him as a child, he mainly thinks of his daughter: “I see all the troubles my family went through,” he said. “I don’t want my daughter to go through that.”
Relive the glory days though Bruce Dale’s career at Geographic.
I was an 18 year-old kid from the sticks who had discovered photography a couple of years before. It seemed like a chance at a little adventure. But those few days in upstate New York were when I started to realize that photography could be something else, something more. Eddie Adams, and the people he brought to the workshop, valued substance and convictions. They spoke of commitment. They believed photographs had great power. I brought that good advice with me right back to the sticks.
Sonia Soberats does not rely on capturing a decisive moment. Instead, her technique, called light painting, involves careful planning and imagination.
The New York Times has assembled a “Convention Storybook,” an online archive of the conventions. It is a look inside the two parties as they sought to articulate their platforms and positions as clearly as possible, without interference.
The “Convention Storybook” presents photographs by Stephen Crowley, Josh Haner, Todd Heisler, Doug Mills, Damon Winter, Mike Appleton, Travis Dove, Edward Linsmier, Luke Sharrett, Robert Stolarik, Max Whitaker and Jim Wilson. Michael Barbaro provided audio and it was produced by Nick Corasaniti, Jacqueline Myint and Cornelius Schmid
This body of work – spanning 11 years and 14 countries – explores the intimate relationship between humanity and its most vital natural resource. Blackmore’s photographs poignantly illustrate the unfolding drama of the global water crisis and how it is affecting those caught up in it; a billion people without access to clean water, another four billion without an adequate supply. Against this dire backdrop, the work also celebrates our primal and spiritual bond with nature’s essential resource.