1,373 miles into the heart of Afghanistan

LA Times:

GUL slowed for a speed bump, and instead of accelerating when a militiaman jumped up with an AK-47, he stopped. Gul opened the driver’s window, apparently weighing the comparative risks of getting shot and getting kidnapped. The gunman stuck his head in, saw me in the back seat and smiled like a dog sniffing fresh meat.

“Get us out of here!” I shouted at Gul, and he hesitated. “Get moving!”

Gul hit the gas. The barrel of the gunman’s rifle clunked off the rear side of the car. Not daring to look back, I tensed for the shot that didn’t come.

Here.

Review: Charles Addams, A Cartoonist's Life

Charles Addams: A Cartoonist\'s Life

Charles Addams, A Cartoonist’s Life, by Linda Davis.
[rating:4/5]

It’s a nostalgic trip back into the previous century, when a guy could make a great living drawing cartoons for The New Yorker. Charles Addams, whose characters include The Addams Family, was an amazing wit. Interesting to find out that at times Addams and the other cartoonists would illustrate ideas from other people:

Frank Modell estimated that The New Yorker bought “maybe three to five [unsolicited gags] a year.” But Addams ideas were hard to come by. (“Dear Mr. Adams,” read a typical letter, “The other day on a highway leading out of Syracuse i saw a girl holding up a sign reading: BINGHAMTON; I AM ON THE PILL. I wonder if you could replace the girl with one of your old hags.”) “People send in little vultures and ideas for cartoons,” as Addams put it; “usually they’ve been suggested at least ten times before.”

Addams’ dark humor is well represented:

Some years earlier, Addams had received a clipping from the Times of London that had particularly pleased him, as it had made one of his old cartoons seem prescient, and he had kept that too. Titled “Man-Sized Meal,” it told of an Indonesian peasant who had been swallowed by a python “more than six yards long, too bloated to move. He was cut open to reveal the peasant’s still-clothed body,” Addams had recounted to Philip French. “So you see, it really does happen. And I thought I’d invented something. Perhaps they were influenced by my cartoon. Maybe the man wanted to be in the picture.”

A fun book, with a series of great Addams’ cartoons as well. They say it all:

Charles Addams, A Cartoonist’s Life, by Linda Davis.
[rating:4/5]

The Naked Guy

NYT:

Eventually the media tired of Andrew Martinez. And so did Berkeley: in the fall of 1992, the school instituted a dress code mandating that students wear clothing in public. Martinez quickly ran afoul of the rule, and after he showed up naked for a disciplinary hearing, he was expelled.

Martinez stuck around the city, hanging out in People’s Park and strolling along Telegraph Avenue, but he wasn’t the same Naked Guy as before. Friends noticed that something was amiss: Martinez had become angry — angry about his expulsion, angry that the media had moved on to other stories, angry that no rich nudist had come forward to bankroll the lawsuit he wanted to file against the university. He started to talk of sinister forces, like the C.I.A., that he claimed were trying to thwart him. He felt ostracized. “I merely need to take off a four-ounce piece of cotton and reveal something that I have, everyone knows I have, half of the population has as well, to change from an average 20-year-old guy to a sex-offending criminal,” he wrote in a book manuscript that was never published.

He began to wander Berkeley pushing a shopping cart filled with rocks. He’d place the rocks at major intersections, trying to disrupt traffic, and he’d make piles of them all over the city so that, as he explained to his girlfriend at the time, “people would have weapons for when the revolution comes.” He seemed to seek out confrontations with the police, once luring them to the co-op where he lived and pelting them with compost. He was arrested on multiple occasions.

Here.

Robert Fisk: Football and violence go together

Independent:

Foer wades in at the deep end with a visit to Belgrade’s top- scoring Red Star, a team nurtured by Serbia’s equally top war criminal Arkan, who took his well-armed footballers down the Drina Valley in 1992 on an orgy of killing, plunder and mass rape. Arkan drove a pink Cadillac and sported a football wife – the gorgeous retro singer Ceca – whom he married in full Serb uniform. Red Star’s pre-war match against the Croatian Partizans – beloved of its fascist president Franjo Tudjman who had adorned the team he once led with wartime Ustashe icons – ended in a pitched battle.

It was Margaret Thatcher who famously described football hooligans as “a disgrace to civilised society” – the very words we later used about the murderers of Serbia. In Glasgow, Protestant supporters of Rangers would sit in separate stands – “We’re up to our knees in Fenian blood,” they would roar in unison – from fans of the Catholic Celtic football club.

Here.

Where to Shoot an Epic About Afghanistan? China, Where Else?

Filming of The Kite Runner, NYT:

In addition to keen eyes Ms. Dowd needed extraordinary patience. She spoke, for example, of having to drink 45 cups of tea with the director of one French-run school in Kabul before the director trusted her enough to let her tour his 25 classrooms. He then granted her all of three mornings to complete her search.

On her ninth classroom, running out of tricks, she asked the students who was the naughtiest kid in class. “There was one child who stood out as the most extroverted, but right next to him there was another boy who was quiet, but who was responding to the scene,” said Ms. Dowd, speaking of an 11-year-old named Kekiria Ebrahimi. “There was a special little moment of energy from him, and it stayed with me. He ended up playing Amir.”

A precociously witty 10-year-old, Ahmad Khan Mahmiidzada, plays the role of Hassan, the servant boy who is betrayed by his best friend, Amir. The boys did not know each other before being brought to western China for the filming, but off camera they became close. And while there is no confusing reality and fiction for either, at a fundamental level the story in which they are acting rubs against the grain of their friendship and seems to trouble them.

Here.