Phony Campaigning

I had an interesting experience about a month ago, before the election. My assignment was to photograph a candidate for one of Utah’s congressional seats campaigning door to door. He was supposed to be out in a suburban neighborhood knocking on doors to explain his views and ask people for their support on election day.

There was a little mix-up on the time and location, mainly the location, so by the time I found the candidate he was inside the last house of a cul-de-sac after having visited the other homes.

Before I could go in, one of his staffers met me on the sidewalk and had me wait for the candidate to come out. And then a photographer for the other newspaper in town came out. That’s why they were holding me back, they wanted her to get her photographs. No problem. I started talking to her and found out she had just photographed the candidate visiting each home in this cul-de-sac. She went on her way.

Now the campaign staffer started explaining to me what was going to happen. He said the candidate would like to re-visit the homes in the cul-de-sac so I could photograph him interacting with these people.

Can you hear the red flags snapping up to attention? We were here to photograph some real campaigning, and this staffer wants me to photograph some fake situations, set up and staged for the camera, with families they have handpicked for the situation. I stopped him and said that we were expecting to photograph the candidate actually campaigning, and that I couldn’t photograph a staged situation like this. It had to be real.

To my surprise, he didn’t get it. In my mind, his suggestion of having the candidate fake his way through a series of visits with selected families was a clear violation of standard journalistic ethics. There was just no way I could photograph this.

It took a good five minutes for me to explain to the staffer that his proposal wouldn’t work for me. I don’t know if he ever fully grasped what I was saying, or why I couldn’t shoot his plan, but the candidate had no problem knocking on some unfamiliar doors and meeting some voters. He was actually very friendly and accommodating, and to be clear, he never suggested anything untoward. That’s what we did and those are the photos you saw in our paper. A true situation.

This post also appeard on my work blog, on the Tribune’s website.

10.20.1986

Note: My short-lived attendance at Ricks College in the small town of Rexburg, Idaho twenty years ago was a defining stage of my life. Mostly for unpleasant reasons. Taking an extremely impulsive anarchist skate punk from California and putting them in the Rexburg of 1986, what can you expect? My being an 18-year-old with the maturity of a 9-year-old didn’t help, either. But it was in Rexburg that I fell in love with photography and abandoned my academic career to follow my passion.

These entries are written from the journals I kept when I was 18. Of course, at 38 today, I do not advocate any of the illegal activity discussed here. -Trent

Monday, October 20, 1986

At night, Kay, Larry, Ray, Drake, and I went out. We took paint pens, spray paint, stencils, etc. Read the press release for details:

Richard Stallings Idaho’s Congressman

Contact: Melodie Rydalch Phone: 234-1986

For Immediate Release:

POCATELLO – Sallee Gasser, campaign manager for Congressman Richard Stallings, is joining representatives of other candidates in expressing disappointment in the number of political signs being damaged or destroyed by vandals.

Mrs. Gasser says Stallings signs in several counties have been damaged. “These signs are expensive, and community residents have volunteered many hours to put them in place. It’s disheartening to have them damaged.”

Mrs. Gasser says she believes the damage is not being done by representatives of other campaigns, but may be the work of pranksters of vandals.

10.19.1986

Note: My short-lived attendance at Ricks College in the small town of Rexburg, Idaho twenty years ago was a defining stage of my life. Mostly for unpleasant reasons. Taking an extremely impulsive anarchist skate punk from California and putting them in the Rexburg of 1986, what can you expect? My being an 18-year-old with the maturity of a 9-year-old didn’t help, either. But it was in Rexburg that I fell in love with photography and abandoned my academic career to follow my passion.

These entries are written from the journals I kept when I was 18. Of course, at 38 today, I do not advocate any of the illegal activity discussed here. -Trent

Sunday, October 19, 1986

I was awakened early this morning to the sound of Tom and Charlie cheering maniacally to the football game on television. I was ready to kill. From the start of the day, I wanted to axe that TV.

When I first moved in over a month ago, I brought my TV from home. But I forgot the remote control, and roommate Larry also had a TV, so we loaned mine out to the guys in #19. I had my mom mail the remote to me and when it arrived I figured it would be a great gag to play on the guys in #19. We stood outside their window with the remote while they were watching TV and started raising the volume. They would get up and turn it down, then we would turn it down. After a couple of times it got boring so I changed the channel on them. That’s when they got up and starting pounding on my television. We ended the joke right there.

Now that I was awake, thanks to the sorry sport of football, I got up and made a bunch of Krusteaz pancakes. I wanted to go to Idaho Falls, but was talked out of it (luckily). I would have just wasted a bunch of money that I would soon need. We went to Kmart, browsed around, then to Dairy Queen for a free cone with a coupon we had. We got back and sat around for a while, trying to figure out how to get rid of Larry’s TV.

We ended up typing up a contract to lease Larry’s TV to Ray’s apartment (#13). We unplugged it right in the middle of another football game, interrupting Tom’s viewing pleasure. He was so pissed off. It was great, peace and quiet! I got my TV back from #19, and put it in my room.

Tensions between roommates Larry and Tom are growing. Even though they were high school friends, and drove out here thousands of miles in Larry’s car, and share a room together, the relationship is dissolving very quickly. The other day Larry was in the shower moaning loudly, taunting Tom who Larry claimed he caught rubbing one out. They got into a loud argument, Tom accusing Larry of the same thing. There are six people in our apartment’s three rooms. Bob and I now share a room after switching. But now there just aren’t enough rooms to separate people who are starting to hate each other. I’m lucky. Bob and I get a long very well.

Ray and I went to Sugar City. We filled up at the Maverik there. By filling up, I mean we filled up the gas tank and drove off quickly. If you’re going to stick it to the man, it might as well be a redneck.

At around 11pm, Kay (#19), Larry, Drake, and I walked down and looked at cars at the Pontiac dealer down the road. To our surprise, they keep the doors unlocked on all the new cars. We all picked our favorite color and sat in a new Fiero. It was pretty cool.

Gursky's "99 Cent" Prints Fetch Millions At Auction

PDN:

Most recently, an anonymous bidder paid $2.48 million – with a sense of irony, one hopes – for Gursky’s “99 Cent II Diptychon” (2001), which shows the cluttered interior of a discount store.

The sale, made at a Nov. 16 auction at Phillips de Pury & Company in New York, set an auction record for a work by a living photographer. It fell short of the record for the highest price ever paid for a photo at auction, which was set in February when a 1904 Edward Steichen print sold for $2,928,000.

The work sold at Phillips consists of two chromogenic color prints displayed as a diptych that measures over 22 feet wide. The work is one of an edition of six.

Here.

Stikman Does 11 Spring

Wooster Collective:

One of our favorite things about doing the Spring Street project, has been the amazing collection of Stikman images that have been appearing over the last few days on the outside of the building. Sara and I have been fans of Stikman’s work for years, so having him included in the Spring Street project is a great pleasure.

Here.

10.18.1986

Note: My short-lived attendance at Ricks College in the small town of Rexburg, Idaho twenty years ago was a defining stage of my life. Mostly for unpleasant reasons. Taking an extremely impulsive anarchist skate punk from California and putting them in the Rexburg of 1986, what can you expect? My being an 18-year-old with the maturity of a 9-year-old didn’t help, either. But it was in Rexburg that I fell in love with photography and abandoned my academic career to follow my passion.

These entries are written from the journals I kept when I was 18. Of course, at 38 today, I do not advocate any of the illegal activity discussed here. -Trent

Saturday, October 18, 1986

I got up today and went to the mall in Idaho Falls with Erin and Tammi. More like I drove them there. That’s what I realized later on. We got there at 1:00 and planned to meet at 3pm. That’s right, we split up to shop. And they just hated the GBH tape I was playing on the way down. I guess they just aren’t fans of UK punk rock. I had to turn it off two songs in.

I went to the arcade “Gold Mine” and then to Burger King for a $1.03 special (a water and two plain burgers), then proceeded to “Conant’s Landing,” an army surplus store. I bought an army jacket to paint and an urban camo handerkerchief. A total of $10. I then went to the mall and picked up Erin and Tammi. We went home, minus the GBH.

I went over to Ray’s and we went down and played some Gauntlet. We did good together then we came back and offered Tom that we’d move his Barbarian character in our D&D game up two levels for $5. He agreed. We took the money back and played more Gauntlet.

(38: Hey 18, good ploy for cash. I was just playing Gauntlet this morning on Xbox Live. The kids today have no idea of strategy, charging blindly into packs of ghosts while their health meters drop like stones. You would love it.)

Stupid idea of the night involved a couple of the guys stealing a check from Charlie’s room. They then forged the check at the grocery store, buying a bunch of frozen pizza and cokes. I drove them, and knew what was going on. In on it, without mentioning who actually signed the check: Bob, Larry, and Ray. I have a feeling this is going to come back to haunt us.

We then played D&D until 3am.

The 2007 Slamdance Guerilla Gamemaker Competition Finalists

Slamdance:

Slamdance, an organization always looking to foster new and innovative ways to assist emerging artists and writers, has established the Slamdance Guerilla Gamemaker Competition.  This contest is a natural extension of Slamdance’s stated mission to nurture, support and showcase truly independent works and will be held concurrently with the Slamdance Film Festival in Park City, Utah, January 18-27, 2007.

A gaming competition at a film festival? It makes more sense than a first glance might indicate. Gaming is one of – if not the – fastest-growing components of the entertainment industry. Like filmmaking, game design is a means of visual storytelling, and the similarities between the two media far outweigh the disparities. Like a film director working on-set, today’s gamemakers assumes a leadership role in the outcome of the game, guiding plot points and character interaction, integrating art and technology with game design. Recognizing that the space between film and gaming was becoming increasingly smaller, and seeing a niche for it within their festival, Slamdance developed the Game Competition to help aspiring game developers display their work.
Here.

Scanning, Safety, M8

Joe Reifer:

I’d rather go to the dentist than spend hours scanning negatives. This evening I remembered why I got interested in digital SLRs 5 years ago. I hate scanning. After watching volume 1 of Contacts, I decided to shoot a roll of Tri-X over the Thanksgiving holiday. Even though I own a bunch of fancy SLR gear, I would way rather shoot with a Leica rangefinder. I’m not going to wax poetic about how the Leica M6 is the most perfectly pleasing 35mm camera I’ve ever used, or how the 35mm f/2 ASPH lens has microcontrast and bokeh to die for, I promise. But it’s true.

What I’m going to say is one $4 roll of film, a $12.50 develop and contact sheet, two trips to the lab, and hour and a half of scanning my favorite images later, I remember why I gave this process up. What a pain. Not to mention the cost per shot is about 45 cents (Hey, I’m too lazy to soup my own negs anymore).

Here.

10.17.1986

Note: My short-lived attendance at Ricks College in the small town of Rexburg, Idaho twenty years ago was a defining stage of my life. Mostly for unpleasant reasons. Taking an extremely impulsive anarchist skate punk from California and putting them in the Rexburg of 1986, what can you expect? My being an 18-year-old with the maturity of a 9-year-old didn’t help, either. But it was in Rexburg that I fell in love with photography and abandoned my academic career to follow my passion.

These entries are written from the journals I kept when I was 18. Of course, at 38 today, I do not advocate any of the illegal activity discussed here. -Trent

Friday, October 17, 1986

After just a few hours of sleep, I got up for my 8am Composition class. I felt like crap. I turned in my paper and read a few others. When I got back to #20, I went to sleep. I didn’t get up again until 12:30. I took a shower and went to lunch. I’ve got a meal card that gets me two meals a day at the cafeteria. Almost always it’s lunch and dinner.

After lunch, Erin called and asked if I wanted to go to Idaho Falls tomorrow. I told her I did.

I was driving around near D.I. and I saw SNFU-Shoe. I stopped and we planned to meet at the cafeteria at 5pm. I gave him, Tina, and Mark a ride to Broulim’s. Then I went up to the school and watched two news programs. I went to the arcade and played some games. Then I went to dinner. I met SNFU-Shoe and we talked for a while. I found out that he went to school in Magrath, across the street from my grandmother’s house. Very cool coincidence.

We drove over to Tina’s, in the girls’ dorms. Their apartment has the best “decor” around. They have a Freddy Kruger cutout and a mannequin and a bunch of other crap. I met Tina, Pam, Debbie, and Mary. All except Mary are cool.

We sat around there and decided that later on we would go to a party at B’s house. B hates me but likes SNFU-Shoe, who hates her, along with me.

Back to #20, where I ran in and ran out so that no one would see me. I was supposed to DM a game of D&D at 5 o’clock, but I’d rather hang with punks (or what passes for them here in Idaho). My roommates were still there, but none of them saw me. We went back up to Tina’s and waited a couple hours for Tina.

Then we loaded nine people into my tiny Honda Civic and went to B’s. We pulled up and B was terribly nervous. I just sat in a chair so she couldn’t blame anything on me. People were drinking and Ryan (a Rexburgite) was passing around some “Rush”, which a lot of people were sniffing. What a joke.

I gave Davin and his chick a ride to the lame dance club, Galleria. I went back to #20, but then decided to go back. I eventually met up with everyone at the Galleria. I saw a beautiful girl who called herself Spider. She reminded me of Ann M from high school, with black hair wearing all black with a pale face. She’s still in high school. I only danced once. Mostly I just sat there. These dance clubs are so pathetic. My first weekend in Rexburg, I went to The Connection with roommate Charlie. I couldn’t believe how many varsity jackets I saw, and people dancing to the “hits.” I thought I had transported to an alternate reality where the populace worshiped the Tom Cruise movie Top Gun and tried to dress like the characters in the film. Oh wait, I did. It’s called Rexburg, Idaho, 1986.

When the Galleria closed we went back to B’s. People were just sitting around, so I went home and to bed.

Rock N Roll Nightmare

WFMU’s Beware the Blog:

I first heard of Thor not through his 80s hair-metal albums, but via a dusty video cassette from the rental store called Rock and Roll Nightmare. A good friend giddily introduced me to this film one spooky night (his mother watched it with us) and I must say that my world has not been the same since. Synapse films finally released this lost gem in a deluxe DVD this year, and there has been no greater moment in my life then when I tore open the plastic of my freshly purchased copy only to find, much to my surprise, my own darn name listed in the thank you credits.

So how did a humble little fanboy like me make it to the inner circle of one of the old ones? Well, first let’s start with the film…

Here.

10.16.1986

Note: My short-lived attendance at Ricks College in the small town of Rexburg, Idaho twenty years ago was a defining stage of my life. Mostly for unpleasant reasons. Taking an extremely impulsive anarchist skate punk from California and putting them in the Rexburg of 1986, what can you expect? My being an 18-year-old with the maturity of a 9-year-old didn’t help, either. But it was in Rexburg that I fell in love with photography and abandoned my academic career to follow my passion.

These entries are written from the journals I kept when I was 18. Of course, at 38 today, I do not advocate any of the illegal activity discussed here. -Trent

Thursday, October 16, 1986

I went to Current Affairs this morning. It was semi-enjoyable. After that, I studied for my Book of Mormon mid-term. I took it and I know I did great; They’ve been teaching me that stuff for eighteen years.

After that, I met up with Larry and we went to Idaho Falls. We looked for radar-detectors but without luck. Larry bought a calculator.

We came back and met up with Ray. He told us about some girls he had met that he wants me to meet. We went to the arcade and played “Gauntlet”. Then we drove around looking for people to meet, but there wasn’t anyone cruising. We called it quits and went home.

I went running for a while. I listened to Depeche Mode, which reminds me so much of Naomi. I came back and made some Krusteaz pancakes from our never-ending stash of sidewalk sale food.

We decided to go for a drive (Larry, Drake, and I). Larry drove his car and I sat in the passenger seat with my BB gun. We drove out to the sand dunes and then out 5 miles of dirt road to the Civil Defense caves. I thought we were all going to die, from the way Larry was driving.

We finally got back and I wrote my paper for Composition. I got to bed at 2am. Class tomorrow at 8am.

Did Borat Break Up Anderson's Marriage?

SF Gate’s Daily Dish:

Sources claim Kid Rock, real name Bob Richie, became enraged by his wife’s role in the spoof film — in which Borat, played by Sacha Baron Cohen, travels across America to get close to the blonde beauty.

A close friend of the pair tells Page Six, “(Film producer) Ron Meyer held a screening of ‘Borat’ at his house for a bunch of people, including Pam and Bob. It was the first time Bob had seen the movie, and, well, he didn’t like it.

“Bob started screaming at Pam, saying she had humiliated herself and telling her, ‘You’re nothing but a whore! You’re a slut! How could you do that movie?’ — in front of everyone. It was very embarrassing.

Here.

Ted Wassmer

I read in the paper this morning that Utah artist Ted Wassmer died Sunday at the age of 96. Brings back a lot of memories and warm feelings for Ted. When I first started at the Tribune back in 1995, one of my first assignments was to photograph this amazing artist. I walked into a downtown art gallery (don’t look for it, it’s not there anymore) and met an 86-year-old man wearing an obvious silver toupee, a white suit coat and shorts. Ted.

He was great to photograph, hamming it up and especially proud of his legs and how good they looked. Even at his age, he had the energy and enthusiasm of a 20-year-old.

After the photos ran, Ted started calling. He wanted to get some prints of the photos. I offered to put them in the mail, but he insisted that I come over to his condo. He said he had something important to do. How could you turn down Ted? Of course I went over.

I took four prints, my favorites from the take. Ted ushered me in. When he noticed I didn’t have a camera, he thrust an old rangefinder into my hands, walked ten feet across the room, and stripped down to a Speedo and started flexing. I was stunned.

“I need you to take a photograph of me so I can show it to all my old buddies at our reunion,” he said. It was some kind of military reunion, Army or Navy, I can’t remember. “Those guys won’t believe how good I look!”

I remember wanting to kick myself for leaving my camera in the car. To this day, I wish I had that photo of Ted in his Speedo demonstrating how good he looked.

Ever the saint, Wassmer insisted that I take two of his paintings with me. He gave me a watercolor portrait and a painting of aspen trees that he had accidentally sliced. Both paintings have hung proudly in my home ever since.

Thank you, Ted. You will be missed.

This post also appeard on my work blog, on the Tribune’s website.

Ted Wassmer

I read in the paper this morning that Utah artist Ted Wassmer died Sunday at the age of 96. Brings back a lot of memories and warm feelings for Ted. When I first started at the Tribune back in 1995, one of my first assignments was to photograph this amazing artist. I walked into a downtown art gallery (don’t look for it, it’s not there anymore) and met an 86-year-old man wearing an obvious silver toupee, a white suit coat and shorts. Ted.

He was great to photograph, hamming it up and especially proud of his legs and how good they looked. Even at his age, he had the energy and enthusiasm of a 20-year-old.

After the photos ran, Ted started calling. He wanted to get some prints of the photos. I offered to put them in the mail, but he insisted that I come over to his condo. He said he had something important to do. How could you turn down Ted? Of course I went over.

I took four prints, my favorites from the take. Ted ushered me in. When he noticed I didn’t have a camera, he thrust an old rangefinder into my hands, walked ten feet across the room, and stripped down to a Speedo and started flexing. I was stunned.

“I need you to take a photograph of me so I can show it to all my old buddies at our reunion,” he said. It was some kind of military reunion, Army or Navy, I can’t remember. “Those guys won’t believe how good I look!”

I remember wanting to kick myself for leaving my camera in the car. To this day, I wish I had that photo of Ted in his Speedo demonstrating how good he looked.

Ever the saint, Wassmer insisted that I take two of his paintings with me. He gave me a watercolor portrait and a painting of aspen trees that he had accidentally sliced. Both paintings have hung proudly in my home ever since.

Thank you, Ted. You will be missed.

This post also appeard on my work blog, on the Tribune’s website.