A Skateboarding Ramp Reaches for the Sky

NYT:

On a recent sunny afternoon, the ramp’s owner, Bob Burnquist, a renowned 30-year-old professional skateboarder from Brazil, peered over the side to treetops below and said: “I’m not afraid of falling. I’m afraid I might jump.”

That mind-set helps on the Mega Ramp, where skaters reach speeds of up to 55 miles an hour and soar like stuntmen.

Approximately 360 feet long, the ramp is 75 feet high at its apex. That is where riders begin their run, speeding down a 180-foot-long roll-in to a ramp that launches them across a 70-foot gap with trapeze netting below. Landing on a 27-foot sloped section, they then boost up to 50 feet above the ground from a 30-foot quarterpipe. A shorter route begins with a 55-foot-tall platform leading to a 50-foot gap, and the 30-foot quarterpipe.

Here.

Ten-Button Guitar Hero Controller

Wired:

Baker forwarded me this pic, and I’m all, “what?” Why on earth would there be a need for a Guitar Hero controller with ten buttons? Even if it’s in the coveted Flying-V shape that the kids keep asking for?

Well, as it turns out, the extra buttons are there for showoffs who want to “pull in tight to the base of the guitar for a rocking solo,” says The Ant Commandos, maker of the Double Range controllers. Wired and wireless versions are available starting today from their website at $60 and $50 respectively.

Here.

1988: Family Vacation

It was the last vacation we took, the five of us, before spouses and grandchildren came along. Disneyland. My sisters are fighting and my parents are arguing. And I’m just outside, the island.

We dropped off Grandmother on our way south. I remember how we all tried desperately to avoid having to sit through her missionary scrapbook presentation in the back of the van. Bless her heart, it was just boring as hell. None of us were able to escape. She picked us off one by one.

Sorry the posts were few this past week. I’ve been keywording my archive and it’s taking all my energy. At this moment, about half of my archive is now online, with another ten years of work to come. I’m still figuring out why it is there, so things will change as it evolves.

As always, clicking on the photograph will take you to the original in the archive.

GAME MASTER

The New Yorker:

At a certain point in the performance, the crazy ambition of Spore became clear: Wright was proposing to simulate the limitless possibility of life itself. The simulation falls between Darwinism and intelligent design, into new conceptual territory. Wright had worked out the algorithm for life, as described by the philosopher Daniel C. Dennett, in “Darwin’s Dangerous Idea.” Dennett writes, “Here, then, is Darwin’s dangerous idea: the algorithmic level is the level that best accounts for the speed of the antelope, the wing of the eagle, the shape of the orchid, the diversity of species, and all the other occasions for wonder in the world of nature. . . . Can it really be the outcome of nothing but a cascade of algorithmic processes feeding on chance?” The old dream of the M.I.T. hackers who came up with Spacewar—to re-create life on a computer—was coming true forty years later, right here in the Spore Hut, in the form of a spindly, striped creature that looked a little like Will Wright himself.
After Wright’s encounter with the other planet, he pulled back to reveal a vast galaxy of other worlds, some computer generated, some created by other players in the game who had reached the status of intergalactic gods—“more worlds than any player could visit in his lifetime,” he said. As people in the audience gasped at the vastness of the possibility space, Wright’s spaceship zoomed into the interstellar sandbox, looking for an uninhabited planet to colonize, just as young Will had promised his father he would.

Here.

Taking the Fight to the Taliban

NYT Magazine:

As we rambled back down under the noonday sun, exhausted and thirsty, plucking apricots, almonds and mulberries off the trees, I remembered the Afghans I’d met complaining about Americans pillaging their harvest. It wasn’t hard to see how a few apricots could transmute into theft or how speaking to a woman after you have rounded up all the men could transmute into “Americans are abusing our women.” One afternoon, I had a car accident in Zabul. Within minutes, some 100 men pulled over and began heaving the wreck out of the ditch. As I crouched in the dirt wrapped in a tentlike Kuchi shawl, not a single man glanced my way. Rather, they asked my wounded translator if his wife was O.K. Someone must have sensed a foreigner, however, because 10 minutes after we left for the hospital, the Taliban showed up. They pummeled the driver, demanding to know what happened to the foreigner. He lied and saved his life. But that moment, when not one person glanced my way, offered a window into how seriously they abide by rules that are utterly alien to a 19-year-old American soldier. Sturek constantly struggled with pushing “cultural sensitivity” down the chain of command. It was nearly impossible.

Here.

Death in Brescia

Ed Vulliamy, in The Observer:

Within 17 days, another six people had been killed across the city, some murders so savage as to defy the imagination. A 23-year-old woman was strangled to death in a church by the sacristan, from Sri Lanka, while trying to light a candle to the Madonna – her corpse hidden behind a pulpit while Mass continued over two days. Next day, a renowned Lombard painter was stabbed to death by a youth from Morocco, whom he had admitted into his home. A Pakistani man was knifed to death in the street and an entire family – father, mother and son – was ritually tortured and executed, the woman and child having their throats cut in front of the father who was left to die slowly from a slash to his own throat.

Brescia was cast into, and remains in, a state of stupefaction; a vortex swirls around the charged themes of immigration, racism and organised crime; political leaders turn up the volume while demonstrators take to the streets. But the alarm bells ring beyond the ancient walls of Brescia.

The themes of immigration and integration – or lack of integration – are coming to dominate the lexicon of electoral politics across Europe, along with the advance of organised crime, and Brescia’s bloody summer is a distillation of that debate – both on the right, which has seized on the violence to try to connect immigration with crime, and on the left, as Brescia’s mayor endeavours to usher in a new approach to immigration and identity.

Here.

The real face of Boratstan

Observer:

And then she takes us – Steve, my travelling companion, and me – into a cafe where we have a bit of cake.

‘What’s it called?’ I ask.

‘The cake? It is known as “nigger in the foam”.’

So, you see, wrong, wrong, wrong. Or, perhaps, just a little bit right. And although the sequences in Sacha Baron Cohen’s new film, Borat: Cultural Learnings Of America For Make Benefit Glorious Nation Of Kazakhstan, that purport to be in Kazakhstan were filmed in Romania, he didn’t pick Romania, or Belarus, or Uzbekistan. He picked Kazakhstan.

Poor Kazakhstan. First Stalin, now Borat. It’s almost enough to make you feel sorry for the government and its blundering attempts to first sue Cohen and then hire a Western PR firm and launch a debunking marketing offensive – although the fact that Nazarbayev is alleged to have stashed $80m in an offshore account goes some way to mitigating my feelings in this.

Here.